[8] See Gail Kern Paster’s highly influential critical work, The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England (Ithaca: Cornell University Press, 1993). This last category sometimes intersected with a growing interest in the scientific world of the renaissance, as seen in texts like Lorraine Daston and Katherine Park’s influential Wonders and the Order of Nature, 1150–1750 (New York: MIT Press, 1998). Park takes an even more explicitly gendered focus in continuing her corporal inquiry in the period in her 2006 Secrets of Women: Gender, Generation, and the Origins of Human Dissection (Brooklyn: Zone Books, 2006).